LPR Live

Jaga Jazzist is an eight-piece Norwegian instrumental ensemble that draws inspiration from jazz, vintage funk, Krautrock and shoegaze. But it adds up to something different: a mesm...

Bruce Brubaker and Francesco Tristano are two virtuoso pianists from very different musical backgrounds. Brubaker is known for his performances of music by John Adams and Meredith ...

The music of GABI is hard to pin down. Chopped vocal fragments float and cluster among classical orchestration, found sounds and abstract electronic textures. Taking cues from Mere...

For composer Daniel Wohl, the distinction between a physical performer and an electronic sound is inconsequential. While he builds on the traditions of heady electronic pioneers li...

Eartheater is the solo project of Queens-based singer, songwriter and guitarist Alexandra Drewchin. Her music exists in an alien world all its own, often incorporating looped textu...

Composer Dan Trueman is the inventor of a new instrument: the prepared digital piano. Last October, we joined Trueman and So Percussion's Adam Sliwinski for conversation and a perf...

Port St. Willow, the project of Brooklyn-based Nicholas Principe, performed its second improvisational, atmospheric album Syncope at Le Poisson Rouge this past November. Join Princ...

Join the ambitious chamber group Ensemble LPR for a performance by American composer Andrew Norman. His 'Grand Turismo' for eight virtuoso violinists, draws its inspiration from th...

Bing & Ruth – an ensemble of classically trained musicians – blends the colors of ambient electronic music with contemporary classical and jazz. Join us for backstage conversation ...

The second season of LPR Live launches with composer and Arcade Fire violinist Sarah Neufeld. Her new album "The Ridge" melds elements of classical, folk and pop. --- About the pod...

Despite being one of relatively few chamber music pieces in his catalog, John Adams’s 2008 String Quartet stands among the composer’s most compelling works and has been solidly ado...

If you're a composer and you at least partially acknowledge the musical history that came before you, you're left in a tough position. How can you even put pen to paper when so muc...